He is currently the Head of Design for the Art Matters Festival, and on-contract for Concordia University's Fine Arts Student Alliance. He is also a team member and graphic designer for SUKO Magazine, which is preparing for its fourth edition. He is a graduate of Concordia University’s Intermedia program.
He is currently the Head of Design for the Art Matters Festival, and on-contract for Concordia University's Fine Arts Student Alliance. He is also a team member and graphic designer for SUKO Magazine, which is preparing for its fourth edition. He is a graduate of Concordia University’s Intermedia program.
sukomag.com
The logo’s layered waveform design was inspired from documentation the festival coordinators provided, which charted visual stimuli in both computer-vision and the human eye. The show’s eventual subtitle was ‘Adapted Visions,’ so the idea of creating a festival logo from these sources came together quickly.
A program guide was made for distribution at the festival’s events. It contained information about the venues and artists, and had a page for collecting ink stamps at each of the shows.
An audiovideo installation loosely adapting Juan Eduardo Cirlot’s A Dictionary of Symbols. Archival images are paired by subject, creating a wholistic look at the varied contexts of cultural imagery. The piece attempts to highlight the ‘flattening’ effect archives have on art history, reckoning with the role of museums and archeology as institutions which rob artworks of their own context.
Archival imagery courtesy of of ARAS, Smithsonian, and MMFA.
Designed promotional posters for e-motion, a recurring techno and house mix series hosted by WASIE, Patience Girl, Monsieurmadam and Glyphbound (Tom Adshead).
Head of Design for 2022-2023 at the gallery. Designed print, social media, and web-based material for promoting events. Designs were coordinated with the artists of each event. Rebuilt the gallery site in Squarespace.
Layout and print designer for the first volume of SUKO Magazine. Developed the initial styleguide, which was adapted for use in the second and third issues.
Designed graphics for web and print during the promotional run of the CFF’s 49th edition. Material was made for the festival and its associated events, such as director talks, workshops, and roundtables.
The style-guide was focused on clear, centralised type that makes up the general shape of the composition.
One-off designs done for personal/pro-bono jobs.
Custom Faceplate for ALM Busy Circuits MFX synth modules.
Covers for Glyphbound dance singles from Fall 2024 - Winter 2025.